Last edited by Gut
Tuesday, April 28, 2020 | History

2 edition of "Grossly material things" found in the catalog.

"Grossly material things"

Helen Smith

"Grossly material things"

women and book production in early modern England

by Helen Smith

  • 91 Want to read
  • 26 Currently reading

Published by Oxford University Press in Oxford .
Written in English

    Subjects:
  • English literature,
  • LITERARY CRITICISM / Books & Reading,
  • History and criticism,
  • LITERARY CRITICISM / Women Authors,
  • Books and reading,
  • Women authors,
  • LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,
  • Collaboration,
  • Authorship,
  • Women,
  • Women in the book industries and trade,
  • History

  • Edition Notes

    Includes bibliographical references and index.

    StatementHelen Smith
    Classifications
    LC ClassificationsZ325 .S655 2012
    The Physical Object
    Paginationpages cm
    ID Numbers
    Open LibraryOL25214714M
    ISBN 109780199651580
    LC Control Number2012004253


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"Grossly material things" by Helen Smith Download PDF EPUB FB2

In A Room of One's Own, Virginia Woolf described fictions as 'grossly material things', rooted in their physical and economic contexts.

This book takes Woolf's brief hint as its starting point, asking who made the books of the English Renaissance, and what the material circumstances were in which they did by:   Virginia Woolf described fictions as 'grossly material things', rooted in their physical and economic contexts.

This book takes Woolf's hint and asks who made the books of the English Renaissance. It covers the ways in which women participated as co-authors, editors, translators, patrons, printers, readers, and booksellers/5. In A Room of One's Own, Virginia Woolf described fictions as 'grossly material things', rooted in their physical and economic contexts.

This book takes Woolf's brief hint as its starting point, asking who made the books of the English Renaissance, and what the material circumstances were in which they did so.

The Hardcover of the 'Grossly Material Things': Women and Book Production in Early Modern England by Helen Smith at Barnes & Noble. Drawing on evidence from a wide range of sources, including court records, letters, diaries, medical texts, and the books themselves, 'Grossly Material Things' moves between the realms of manuscript and print, and tells the stories of literary, political, and religious texts from broadside ballads to plays, monstrous birth pamphlets to editions of the : In A Room of One’s Own, Virginia Woolf described fictions as ‘grossly material things’, rooted in their physical and economic contexts.

This book takes Woolf’s brief hint as its starting point, asking who made the books of the English Renaissance, and what the material circumstances were in which they did so. Virginia Woolf described fictions as 'grossly material things', rooted in their physical and economic contexts.

This book takes Woolf's hint as its starting point, asking who made the books of the English Renaissance. It recovering the ways in which women participated as co-authors, editors, translators, patrons, printers, booksellers, and readers.

Drawing on evidence from a wide range of sources, including court records, letters, diaries, medical texts, and the books themselves, 'Grossly Material Things' moves between the realms of manuscript and print, and tells the stories of literary, political, and religious texts from broadside ballads to plays, monstrous birth pamphlets to editions of the Bible.

Helen Smith. “Grossly Material Things”: Women and Book Production in Early Modern England. Oxford: Oxford University Press, Pp. $ (cloth). - Volume 53 Issue 1 - Author: Natasha Korda. Helen Smith's Grossly Material Things is a fascinating, insightful, superbly researched book on the contributions women made to manuscript and book production Grossly material things book the Early Modern period.

Anyone interested in the history of reading or of the book will learn a great deal from her investigation Author: Helen Smith. "Helen Smith's Grossly Material Things is a fascinating, insightful, superbly researched book on the contributions women made to manuscript and book production in the Early Modern period.

Anyone interested in the history of reading or of the book will learn a great deal from her investigation. Natasha Korda, Journal of British Studies"Helen Smith's Grossly Material Things is a fascinating, insightful, superblyresearched book on the contributions women made to manuscript and book production in the Early Modern period.

Anyone interested in the history of reading or of the book will learn a great deal from her investigation. “Grossly Material Things”: Women and Book Production in Early Modern England. Oxford: Oxford University Press, Pp. $ (cloth). Article in Journal of British Studies 53(01) Author: Natasha Korda.

Reviewed by Alice Eardley. [1] The title of Smith’s book, with its reference to Virginia Woolf’s A Room of One’s Own, signals its place in an established history of feminist interest in the material circumstances of literary production. For Woolf, ‘Fiction is like a spider’s web attached to grossly material things.

This is a brilliantly written book which kept me gripped from start to finish. The book has a very strong lead character, Matthew Street, and his story is captivating - the epitome of s and s sex, drugs and denim fashionista rock nroll from a west coast Hollywood perspective wrapped up with plenty of girls, glam with a broad cocktail of fast cars, beaches, sun, sea, boats, fashion 5/5.

The Introduction makes the case for the intersection between feminist literary history, history of the book, and the study of materiality, briefly outlining these fields by analysing Woolf's foundational plea for A Room of One's Own. It explores the different models offered recently for the study of the material text, particularly the circuit and the map, and suggests that the spider's web may.

'Grossly Material Things' was previously awarded the SHARP DeLong Book History Book Prize, Helen's book investigates the varied roles played by women in. grossly material things women and book production in early modern england Posted By Richard Scarry Public Library TEXT ID ad4bb Online PDF Ebook Epub Library their physical and economic contexts this book takes woolfs hint as its starting point asking who made the books of the english renaissance it recovering the ways in which.

"In A Room of One's Own, Virginia Woolf described fictions as 'grossly material things', rooted in their physical and economic contexts. This book takes Woolf's brief hint as its starting point, asking who made the books of the English Renaissance, and what the material circumstances were in which they did so.

Helen Smith, Grossly Material Things: Women and Book Production in Early Modern England (Oxford: Oxford University Press, ). The Big Book of Gross Stuff is a sure hit with the 8- to year-old set. --The Florida Times-Union, Ma Bart King is a lot like Bill Nye the Science Guy.

He teaches kids and immature adults about science and the human body, but King takes it to a whole new levelThe Daily Vanguard, 4/27//5(24). Malay, Jessica L. () Review: Grossly Material Things: Women and Book Production in Early Modern England, by Helen Smith.

Women's History Review. ISSN Metadata only available from this : Jessica L. Malay. Research Overview. Helen’s book, Grossly Material Things, and edited collection, Renaissance Paratexts, have shaped recent debates about the presence of women as actors and agents in the literary marketplace, and the effects of books on early modern readers.

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‘No deformitie can abide before the sunne’ Helen Smith. in 'Grossly Material Things' Published in print May | ISBN: Published online September | e-ISBN and how their books were understood to work upon their bodies and minds. The chapter draws on a wide range of didactic and exemplary sources, alongside evidence.

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Thing theory is a branch of critical theory that focuses on human–object interactions in literature and culture. It borrows from Heidegger's distinction between objects and things, which posits that an object becomes a thing when it can no longer serve its common function.

When an object breaks down or is misused, it sheds its socially encoded value and becomes present to us in new ways. of Early Modern Women who take Grossly Material Things alongside the work of such scholars will thus enjoy a more complete picture of early modern women’s textual engagements, especially where translation is con-cerned.

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